After an incredible midseason finale, Darling in the Franxx kept going strong while taking things a bit slower to focus on the character drama. This part of the story has always been the most engaging throughout the entire program, and my hopes were high for the second cour of this fairly divisive show.
Sadly as it reached the conclusion, I became conflicted about the direction the show took. I waited patiently, knowing I wouldn’t have a solid grasp on my feeling towards the show until it was completed. Now that it is, I can safely say that Darling in the Franxx did not live up to the lofty promises that detractors would argue never bore fruit in the first place.
A couple years ago, DC could undoubtedly be called the kings of animated Superhero film and TV. The old WB channel shows like Batman or Superman and the golden age of Justice League and the DC animated films from the 2000’s were my childhood. Early 2010 animated shows like Young Justice pushed the envelope further and DC was on top compared to even Marvel’s best successes.
Sadly, recent projects have been of mixed quality. Films like Gotham by Gaslight and Killing Joke are held back by their writing or uninspired artwork. Even worse, it is likely that future DC cartoons are fated to be relegated to DC’s new streaming service. Not all is in vain though, as Kamikaze Douga’s new animated feature, Batman Ninja, has managed to break this monotony, creating one of the most visually captivating films the studio has made in years.
Whether it be their classics beloved classics like Clannad and Haruhi Suzumiya or their new projects like Hibike Euphonium and A Silent Voice, Kyoto Animation is continuously creating some of the most talked about, visually impressive Anime in the medium. Their newest project, Violet Evergarden garnered a lot of hype ever since its reveal in 2016 and finally aired this past winter
Now that it has been available on Netflix for some time, is the show a new classic for the Kyoto Animation portfolio? Well, at the risk of spoiling the verdict early, I believe Tristan Gallant of Glass Reflections on YouTube probably summed things up best in the opening of his first impressions of Violet Evergarden some months back.
“Watch. Violet. Evergarden.”
It is ranked number 4 on the list of highest-grossing films in Japan and the single highest grossing Anime film of all time. It has garnered worldwide acclaim and has taken the Anime community and the mainstream audience by storm. For a long, while it even beat out Fullmetal Alchemist Brotherhood on the MyAnimeList charts and even now sits at a comfortable #2. Yes, I am of course talking about Makoto Shinkai’s breakout success, “Kimi No Na Wa”, or “Your Name”.
Remember two years ago when Studio Wit released Kabaneri of the Iron Fortress? To this day, that show’s greatest strength was its artwork and how it called back to the anime of the 80’s in both character design, shading and even how the characters evolved. It was a beauty to behold and I’m happy to hear that the series is going to continue despite the first season’s lackluster narrative.
The few anime from the 80’s I have seen I have LOVED. Gunbuster is easily one of my favorite OVAs ever made and even the 80’s anime I have not seen speak volumes through the artwork I’ve stumbled upon. For this reason, I am delighted that TMS Entertainment has decided to further pay homage to the animation of yesteryear with Megalo Box. Continue reading
The spring Anime season is upon us and everyone is either watching Violet Evergarden now that it is on Netflix or the new season of My Hero Academia. Meanwhile, I’m over here still watching Darling in the Franxx, the collaboration between Trigger and A-1 that I covered a couple months ago. So before everyone forgets about it, I thought I would cover the show thus far and see how it has been shaping up as it enters the second half of its 24-episode run.
For a time, I was concerned about Anime’s place on Netflix. Mainly, big seasonal shows like Fate: Apocrypha and Kakegurui were being licensed, but not released until the entire series was concluded. Granted, I’m not too crazy about Kakegurui now that I have it, but this was still a sign of Netflix’s misunderstanding of how the Anime community consumes the medium. However, as time has passed, my worries are slowly being erased completely.
Viral hits like Musaka Yuuasa’s recent Devilman: Crybaby or any of the many Polygon Pictures shows are being released all at once exclusively on Netflix. There are still hurdles though, like Violet Evergarden apparently being on Netflix in every other country besides America. Regardless, they are producing a ton of new shows and one recent addition to the roster may have been exactly the type of show that I have been waiting a while for.
Studio Shaft turned Nisio Isin’s bizarre, engaging, and dialogue rich novel series into one of the most visually appealing Animated series of all time and if you have never watched the Monogatari series before, now is the time to give it a try.
If aesthetic and visual storytelling is your jam, then Kizumonogatari will be your bible. Announced in 2010, this trilogy tells the tale of wounds that put the entire story of the series into motion, making it the perfect place to jump in for newcomers.
Featured Image by Shirow Miwa, Author of the RWBY’s manga adaptation
It was February 1st, 2015. I had gotten back from school and was ready to relax for the night until my friend sent my other friend and I a single text.
“Guys, Monty didn’t make it”
I had already known that Monty was in the hospital for several days, but not one part of me thought he would actually die. My friends and I were heartbroken and while it felt too disrespectful to ask, I’m certain everyone was thinking “what’s going to happen to RWBY?”
It would go on, as it turns out. We got a glimpse of the fight animation from the tournament arc at the following summer’s RTX convention and things were looking pretty cool. Despite that, I was extremely cautious of how well the show would look, how good the fight scenes would be, and whether or not the story would finally start improving. Even when Volume Three ended up premiering on October 24th, 2015, I wouldn’t have a concrete answer, but it was certainly the beginning of a new era of RWBY, for better… or worse.
[Spoilers For All of RWBY Ahead]
Studio Trigger, to me, is the darling (pun not intended) of the Anime industry. It didn’t start that way, mind you. The hype and praise surrounding it was merely built on the staff list and the ridiculous expectations of fans who were bound to be disappointed when Kill la Kill wasn’t perfection. Factor in several other duds like Ninja Slayer or the second Little Witch OVA and it starts feeling like Trigger was all talk.
Thankfully, with shows like Kiznaiver or Space Patrol Luluco, Trigger is starting to really earn the hype it garnered at the beginning. It is a studio overflowing with creativity, exploring new avenues and other genres with every project, even if they don’t always have a ton of money. Perhaps to rectify that specific issue, Trigger has partnered with A-1 Pictures to produce Darling in the Franxx, a brand new mech anime from the director of The Idolm@ster, Atsushi Nishigori.