It is ranked number 4 on the list of highest-grossing films in Japan and the single highest grossing Anime film of all time. It has garnered worldwide acclaim and has taken the Anime community and the mainstream audience by storm. For a long, while it even beat out Fullmetal Alchemist Brotherhood on the MyAnimeList charts and even now sits at a comfortable #2. Yes, I am of course talking about Makoto Shinkai’s breakout success, “Kimi No Na Wa”, or “Your Name”.
Remember two years ago when Studio Wit released Kabaneri of the Iron Fortress? To this day, that show’s greatest strength was its artwork and how it called back to the anime of the 80’s in both character design, shading and even how the characters evolved. It was a beauty to behold and I’m happy to hear that the series is going to continue despite the first season’s lackluster narrative.
The few anime from the 80’s I have seen I have LOVED. Gunbuster is easily one of my favorite OVAs ever made and even the 80’s anime I have not seen speak volumes through the artwork I’ve stumbled upon. For this reason, I am delighted that TMS Entertainment has decided to further pay homage to the animation of yesteryear with Megalo Box. Continue reading
The spring Anime season is upon us and everyone is either watching Violet Evergarden now that it is on Netflix or the new season of My Hero Academia. Meanwhile, I’m over here still watching Darling in the Franxx, the collaboration between Trigger and A-1 that I covered a couple months ago. So before everyone forgets about it, I thought I would cover the show thus far and see how it has been shaping up as it enters the second half of its 24-episode run.
For a time, I was concerned about Anime’s place on Netflix. Mainly, big seasonal shows like Fate: Apocrypha and Kakegurui were being licensed, but not released until the entire series was concluded. Granted, I’m not too crazy about Kakegurui now that I have it, but this was still a sign of Netflix’s misunderstanding of how the Anime community consumes the medium. However, as time has passed, my worries are slowly being erased completely.
Viral hits like Musaka Yuuasa’s recent Devilman: Crybaby or any of the many Polygon Pictures shows are being released all at once exclusively on Netflix. There are still hurdles though, like Violet Evergarden apparently being on Netflix in every other country besides America. Regardless, they are producing a ton of new shows and one recent addition to the roster may have been exactly the type of show that I have been waiting a while for.
Studio Shaft turned Nisio Isin’s bizarre, engaging, and dialogue rich novel series into one of the most visually appealing Animated series of all time and if you have never watched the Monogatari series before, now is the time to give it a try.
If aesthetic and visual storytelling is your jam, then Kizumonogatari will be your bible. Announced in 2010, this trilogy tells the tale of wounds that put the entire story of the series into motion, making it the perfect place to jump in for newcomers.
Featured Image by Shirow Miwa, Author of the RWBY’s manga adaptation
It was February 1st, 2015. I had gotten back from school and was ready to relax for the night until my friend sent my other friend and I a single text.
“Guys, Monty didn’t make it”
I had already known that Monty was in the hospital for several days, but not one part of me thought he would actually die. My friends and I were heartbroken and while it felt too disrespectful to ask, I’m certain everyone was thinking “what’s going to happen to RWBY?”
It would go on, as it turns out. We got a glimpse of the fight animation from the tournament arc at the following summer’s RTX convention and things were looking pretty cool. Despite that, I was extremely cautious of how well the show would look, how good the fight scenes would be, and whether or not the story would finally start improving. Even when Volume Three ended up premiering on October 24th, 2015, I wouldn’t have a concrete answer, but it was certainly the beginning of a new era of RWBY, for better… or worse.
[Spoilers For All of RWBY Ahead]
Studio Trigger, to me, is the darling (pun not intended) of the Anime industry. It didn’t start that way, mind you. The hype and praise surrounding it was merely built on the staff list and the ridiculous expectations of fans who were bound to be disappointed when Kill la Kill wasn’t perfection. Factor in several other duds like Ninja Slayer or the second Little Witch OVA and it starts feeling like Trigger was all talk.
Thankfully, with shows like Kiznaiver or Space Patrol Luluco, Trigger is starting to really earn the hype it garnered at the beginning. It is a studio overflowing with creativity, exploring new avenues and other genres with every project, even if they don’t always have a ton of money. Perhaps to rectify that specific issue, Trigger has partnered with A-1 Pictures to produce Darling in the Franxx, a brand new mech anime from the director of The Idolm@ster, Atsushi Nishigori.
I must say, ladies and gentlemen, I’m feeling a bit peeved right now. No one thought to notify me that Studio Bones produced a half magical boy, half mech show in 2010, bringing together an all-star staff list to produce one of the most flamboyant, bizarre and visually enticing works that almost none of my friends know about. A delightful gem by the name of Star Driver.
This staff list alone should garner attention from any Anime fan. The director is Takuya Igarashi, director of Soul Eater, Ouran Highschool Host Club, and Bungou Stray Dogs. The script was penned by Youji Enokido, who wrote FLCL, Redline and (again) Bungou Stray Dogs. Hell, sound director Kazuhiro Wakabayashi has so many credits worth mentioning that I’ll just direct you to his MyAnimeList page.
Impressive staff aside though, how do all the pieces fit together? And considering the pedigree of Bones and the other artists working on it, how has this show not been talked about more in the years since it’s release?
Sequels can be risky. This is true in any medium, but to many, Anime has a particular reputation for dodgy sequels. Some shows see changes in production staff that rob the sequel of what made the first so great, such is the case with Psycho-Pass 2. Other times, we may never even get a sequel due to low Blu-ray sales and miss out on the closure that any good story needs.
Thankfully, some of my favorite shows have gotten worthwhile sequels, but often I just hope that whatever 12 episode show I watch ends conclusively enough that I won’t be heartbroken should it not get renewed. So it’s with great pleasure that I say that season two of Kekkai Sensen manages to continue the show strong, sticking closer to the source material without disregarding the Anime-original story that made me fall in love with season one.
Featured Image by 权- on Pixiv
Last time, I took a long look at the beginning of Rooster Teeth’s Animated Web Series RWBY, both the incredibly promising promotional material and the lackluster first Volume. However, as the title of this series suggests, there are things in this show that I actually like, believe it or not. Volume Two is one of those things that I love. I’m of the mind that there has never been a truly great Volume of RWBY, but of the ones we have gotten, Two may be the closest to fulfilling the promise of the original four character trailers.
With that, I want to spend time focusing on exactly what changed in order to make this Volume so much more memorable and enjoyable. From a much more focused plot to enhanced visuals and direction and even the little tiny details. It’s not all perfect though, and for all its promise, there are some things that make this series incredibly hard to recommend.
[Spoilers For All of RWBY Ahead]